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moviePig
Posted: Wed Jul 29, 2009 2:54 pm
Guest
On Jul 27, 10:48 pm, "Jim Beaver" <jumble...@prodigy.spam> wrote:
Quote:
"william" <wlahe...@gmail.com> wrote in message

news:188cfe39-3b49-4ee9-be00-e76f0fbe8630@l34g2000vba.googlegroups.com...
On Jul 27, 6:03 pm, David Oberman <dober...@socal.rr.com> wrote:

Yours is a widespread view among film cognoscente, certainly. I just
can't take Hitchcock any more seriously than as an effective & tricky
entertainer. I love a lot of his movies, & I also think they're filled
with vapidity & banality.

I agree. Most of his films are cleverly conventional and utterly
forgettable. His early stuff at the cusp of the sound era is kind of
cool but after that it's mostly a rut. It says something that in 50
years of films there are maybe a handful of memorable performances.
Memorable for being good, that is. I've never understood how seriously
people take his movies. I understand his popularity but that's
entirely different.

RESPONSE:

I'm with you here.  Most of them are quite entertaining and technically
quite competent.  Genius?  Masterpieces?  Not gettin' that here.

You guys are damning with aimed praise. It's true that (iirc) no
Hitchcock movie ever brought me to tears or joy. But, then, who are
cinema's geniuses? ...and what should we call the next tier (say,
Hitchcock, Busby Berkeley... hell, Vorkapich, Harryhausen) who merely
revolutionized their specialties? Technicians? Savants?

--

- - - - - - - -
YOUR taste at work...
http://www.moviepig.com
william
Posted: Wed Jul 29, 2009 3:31 pm
Guest
On Jul 29, 10:54 am, moviePig <pwall...@moviepig.com> wrote:
Quote:

You guys are damning with aimed praise.  It's true that (iirc) no
Hitchcock movie ever brought me to tears or joy.  But, then, who are
cinema's geniuses? ...and what should we call the next tier (say,
Hitchcock, Busby Berkeley... hell, Vorkapich, Harryhausen) who merely
revolutionized their specialties?  Technicians?  Savants?

Maybe I'm caffeine deprived but I'm not really following what you're

getting at. Is it: If Hitchcock's not a genuis, then who is? Really.
Not being a wise guy, just confuddled.

William
www.williamahearn.com
moviePig
Posted: Wed Jul 29, 2009 6:40 pm
Guest
On Jul 29, 11:31 am, william <wlahe...@gmail.com> wrote:
Quote:
On Jul 29, 10:54 am, moviePig <pwall...@moviepig.com> wrote:

You guys are damning with aimed praise.  It's true that (iirc) no
Hitchcock movie ever brought me to tears or joy.  But, then, who are
cinema's geniuses? ...and what should we call the next tier (say,
Hitchcock, Busby Berkeley... hell, Vorkapich, Harryhausen) who merely
revolutionized their specialties?  Technicians?  Savants?

Maybe I'm caffeine deprived but I'm not really following what you're
getting at. Is it: If Hitchcock's not a genuis, then who is? Really.
Not being a wise guy, just confuddled.

Since you pretty much restate my point, maybe it's only Jim above
who's denying Alfred's cinematic divinity. Yeah, it'd be major
renovations for me to move that particular shrine out of my personal
Hall of Geniuses...

--

- - - - - - - -
YOUR taste at work...
http://www.moviepig.com
william
Posted: Wed Jul 29, 2009 7:03 pm
Guest
On Jul 29, 2:40 pm, moviePig <pwall...@moviepig.com> wrote:
Quote:

Maybe I'm caffeine deprived but I'm not really following what you're
getting at. Is it: If Hitchcock's not a genuis, then who is? Really.
Not being a wise guy, just confuddled.

Since you pretty much restate my point, maybe it's only Jim above
who's denying Alfred's cinematic divinity.  Yeah, it'd be major
renovations for me to move that particular shrine out of my personal
Hall of Geniuses...

Nope. This seems to be where Jim and I agree. Not speaking for anyone

but myself, I don't consider Hitchcock a genius by a long shot. In a
similar vein I respect Stephen King his success but I don't consider
him a genius or even a good writer.

William
www.williamahearn.com
foggytown
Posted: Wed Jul 29, 2009 7:06 pm
Guest
On Jul 27, 8:20�pm, Mark <weiss.sl...@yahoo.com> wrote:
Quote:
I think Alfred Hitchcock is, pound for pound, the greatest director the cinema has ever known. No one
else even comes close for me.

The clue to your problem lay in that statement you wrote. YOU think
Alfred Hitchcock is . . . Well, other people don't. If you find that
difficult to accept then you're in for one frustrating life, son.
moviePig
Posted: Wed Jul 29, 2009 7:26 pm
Guest
On Jul 29, 3:03 pm, william <wlahe...@gmail.com> wrote:
Quote:
On Jul 29, 2:40 pm, moviePig <pwall...@moviepig.com> wrote:

Maybe I'm caffeine deprived but I'm not really following what you're
getting at. Is it: If Hitchcock's not a genuis, then who is? Really.
Not being a wise guy, just confuddled.

Since you pretty much restate my point, maybe it's only Jim above
who's denying Alfred's cinematic divinity.  Yeah, it'd be major
renovations for me to move that particular shrine out of my personal
Hall of Geniuses...

Nope. This seems to be where Jim and I agree. Not speaking for anyone
but myself, I don't consider Hitchcock a genius by a long shot. In a
similar vein I respect Stephen King his success but I don't consider
him a genius or even a good writer.

Aha, I mis-inflected your previous post. Indeed, then, who *are* the
Newtons and Einsteins of the movies we all see and chat about here?
(I won't ask 'why', yet.) E.g., I think King's quite a good writer in
some respects, but his shortcomings eventually become apparent -- even
to most of his readers, I suspect. Whereas, I doubt any moviegoers to
speak of *ever* avoided the latest Hitchcock. (And, in movies, of
course, commercial success is the only way we'd ever hear of anybody.)

--

- - - - - - - -
YOUR taste at work...
http://www.moviepig.com
David Oberman
Posted: Wed Jul 29, 2009 10:59 pm
Guest
moviePig <pwallace@moviepig.com> wrote:

Quote:
Maybe I'm caffeine deprived but I'm not really following what you're
getting at. Is it: If Hitchcock's not a genuis, then who is? Really.
Not being a wise guy, just confuddled.

Since you pretty much restate my point, maybe it's only Jim above
who's denying Alfred's cinematic divinity. Yeah, it'd be major
renovations for me to move that particular shrine out of my personal
Hall of Geniuses...

Pauline Kael called him a petit-maitre. I'll go with that.

I think I've mentioned my (metaphysical) film aesthetics already: Like
Blanche, I want magic. VERTIGO & a few others are magical, but there
always seems to be something in a Hitchcock movie that shatters the
spell for me, whether it's a ridiculous situation (that's being passed
off as perfectly believable) or a rotten performance or a bunch of
really dumb lines (something the Hitchcock auteurists never mention
because it's irrelevant to them in "personal" filmmaking). All of this
doesn't make Hitch any worse than my other favorite commercial
directors -- only not any greater than, say, Howard Hawks, James
Whale, Douglas Sirk, William Wyler, John Ford, Sternberg, Leo McCarey,
Mitchell Leisen &c.

Listening to Jimmy Stewart whispering in REAR WINDOW grates on my
nerves. For me, the captivated viewer, either Stewart has failed or
Hitch has failed & I think it's the latter. (Stewart whispers some in
THE SHOP AROUND THE CORNER & it doesn't bug me.)




____
In the history of art, late works are catastrophes.

-- Adorno
william
Posted: Thu Jul 30, 2009 12:59 am
Guest
On Jul 29, 3:26 pm, moviePig <pwall...@moviepig.com> wrote:

 Whereas, I doubt any moviegoers to
Quote:
speak of *ever* avoided the latest Hitchcock.  (And, in movies, of
course, commercial success is the only way we'd ever hear of anybody.)

Not so. "The Wrong Man," "The Paradine Case" and "Under Capricorn" all

lost boatloads of dough. There were others that didn't do well when
first released. As for "genius" -- limiting it to his contemporaries
of sorts -- I wouldn't put Hitchcock in the same class a Welles,
Kubrick or Godard. I won't go off on my Welles rant but he and
Kubrick, Godard and others created films that expanded the notion of
cinema, film, flicks, moom pitchers or whatever. Hitchcock manipulated
more than he innovated. He had absolutely no interest in the medium as
medium and as a result he made movies that made money and not much
else. In terms of advancing the knowledge and language of film, I'd
put Fritz Lang way ahead of Hitchcock.

William
www.williamahearn.com
Dave in Toronto
Posted: Thu Jul 30, 2009 2:00 am
Guest
On Jul 29, 8:59 pm, william <wlahe...@gmail.com> wrote:
Quote:
On Jul 29, 3:26 pm, moviePig <pwall...@moviepig.com> wrote:

 Whereas, I doubt any moviegoers to> speak of *ever* avoided the latest Hitchcock.  (And, in movies, of
course, commercial success is the only way we'd ever hear of anybody.)

Not so. "The Wrong Man," "The Paradine Case" and "Under Capricorn" all
lost boatloads of dough. There were others that didn't do well when
first released. As for "genius" -- limiting it to his contemporaries
of sorts -- I wouldn't put Hitchcock in the same class a Welles,
Kubrick or Godard. I won't go off on my Welles rant but he and
Kubrick, Godard and others created films that expanded the notion of
cinema, film, flicks, moom pitchers or whatever. Hitchcock manipulated
more than he innovated. He had absolutely no interest in the medium as
medium and as a result he made movies that made money and not much
else. In terms of advancing the knowledge and language of film, I'd
put Fritz Lang way ahead of Hitchcock.

Williamwww.williamahearn.com


You could be right but Hitchcock was the first director whose style I
recognized and who made me eager for more of the same.

I still wish Hitchcock, rather than Otto Preminger had directed
_Laura_.

Dave in Toronto
moviePig
Posted: Thu Jul 30, 2009 3:02 am
Guest
On Jul 29, 8:59 pm, william <wlahe...@gmail.com> wrote:
Quote:
On Jul 29, 3:26 pm, moviePig <pwall...@moviepig.com> wrote:

 Whereas, I doubt any moviegoers to> speak of *ever* avoided the latest Hitchcock.  (And, in movies, of
course, commercial success is the only way we'd ever hear of anybody.)

Not so. "The Wrong Man," "The Paradine Case" and "Under Capricorn" all
lost boatloads of dough. There were others that didn't do well when
first released. As for "genius" -- limiting it to his contemporaries
of sorts -- I wouldn't put Hitchcock in the same class a Welles,
Kubrick or Godard. I won't go off on my Welles rant but he and
Kubrick, Godard and others created films that expanded the notion of
cinema, film, flicks, moom pitchers or whatever. Hitchcock manipulated
more than he innovated. He had absolutely no interest in the medium as
medium and as a result he made movies that made money and not much
else. In terms of advancing the knowledge and language of film, I'd
put Fritz Lang way ahead of Hitchcock.

Thought experiment: Five lost films are discovered... unreleased
works by Welles, Kubrick, Godard, Lang, and Hitchcock. Next weekend,
with no advance screenings, they premiere simultaneously in a Times
Square multiplex. Which theater has the longest line? ...the most
film-students? ...the most industry professionals? And what (if
anything) does that say regarding 'genius'?

--

- - - - - - - -
YOUR taste at work...
http://www.moviepig.com
william
Posted: Thu Jul 30, 2009 5:57 am
Guest
On Jul 29, 11:02 pm, moviePig <pwall...@moviepig.com> wrote:
Quote:

Thought experiment:  Five lost films are discovered... unreleased
works by Welles, Kubrick, Godard, Lang, and Hitchcock.  Next weekend,
with no advance screenings, they premiere simultaneously in a Times
Square multiplex.  Which theater has the longest line? ...the most
film-students? ...the most industry professionals?  And what (if
anything) does that say regarding 'genius'?

Let me answer in the only way I know how. First off, I ain't laying

down a plug nickel for a lost work of Orson Welles. Having spent
enough time finding his "real" lost films, I'm done with him. The guy
was awesomely talented and couldn't make a movie to save his life.
Kubrick, I'm tempted. Especially because of all of them that guy
understands what "big screen" means. If it's Godard between 1959 and
1970, I'm going. Otherwise, I'll wait for the DVD. If it's a Fritz
Lang German film, I'm going. If it's a Hollywood film it probably got
"lost" for a good reason. I've seen just about every film Hitchcock
made. Chances are it's about a guy who innocently stumbles across a
murder and takes it on the lam to clear his name and meets this girl
who . . . . Genius isn't a constant. In your "thought experiment" you
have a built-in bias. Times Square, once the locale of porn palaces
and grind houses, now caters to the tourist trade. If any of these
films are in black and white, no one is going. Is Adam Sandler in the
Godard film? Since the Hitchcock may be in color that would have the
longest line unless it's hat day at "The Lion King."

If I understand where you're going with this it seems to be the
argument about commerce vs art. Hitchcock is probably the most popular
across the largest population sample. He's also the least innovative.
So I can't say that your experiment really reveals anything about
genius.

William
www.williamahearn.com
 
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